#old church theatre

[nickmacleanjazz]

***IMPORTANT NOTE***

The Ottawa Citizen's reporting is WRONG, the Nick Maclean Quartet feat. Brownman Ali's OTTAWA performance is on SATURDAY AUGUST 19, not on Friday!!!

NICK MACLEAN QUARTET

feat. BROWNMAN ALI

ALBUM PRE-RELEASE TOUR

The Herbie Hancock-influenced modern jazz ensemble NICK MACLEAN QUARTET feat. BROWNMAN ALI celebrates the upcoming release of their hotly anticipated sophomore album CONVERGENCE, due out in October. Catch them for a night of hard-swinging, exploratory modern jazz!

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THR-AUG-17, 07pm: Kingston, ON - RCHA Club TIX: https://www.eventbrite.ca/e/676120804527 FRI-AUG-18, 07pm: Montreal, QC - Upstairs FRI-AUG-18, 10pm: Montreal, QC - Upstairs Reservations: 514-931-6808 SAT-AUG-19, 08pm: Ottawa, ON - Montgomery Scotch Lounge TIX: https://www.eventbrite.ca/e/676694480407 SUN-AUG-20, 06pm: Trenton, ON - Old Church Theatre TIX: https://oldchurch.ca/event/nick-maclean-quartet-brownman-ali/

FULL TOUR INFORMATION: www.NicholasMaclean.com

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" A fresh look at Herbie Hancock classics and delicious new original themes all presented with taste and virtuosity. No safety net here, everyone is living on the edge."

- Bruce Cassidy (Blood, Sweat & Tears Musical Director '04-'09, renowned EVI player)

This August, the NICK MACLEAN QUARTET feat. BROWNMAN ALI celebrates the upcoming release of their hotly anticipated sophomore album CONVERGENCE, due out in October. Led by fast-rising piano star NICK MACLEAN -- an 8x Global Music Award winner and one of the most in-demand young jazz piano players in Toronto -- this contemplative yet thrilling quartet delivers jazz between the two poles of thoughtful introspection and powerhouse conveyance, taking influences from Herbie Hancock's primordial 1960's Blue Note era recordings. Maclean's quartet heavily features one of Canada's most provocative improvising trumpet players -- BROWNMAN ALI -- an internationally acclaimed, multi-award winning jazz iconoclast who has been heralded as "Canada's preeminent jazz trumpet player" by New York City's Village Voice and is best known globally as the last trumpet player to play in the legendary jazz-hip-hop group GURU's JAZZMATAZZ. For this show, Ali & Maclean stand shoulder-to-shoulder with 2 of Canada's top-tier 20-somethings: BEN DUFF on upright bass, and JACKSON HAYNES on drums (in for Jacob Wutzke).

Advance copies of CONVERGENCE will be available for purchase at the show (physical and digital), ahead of the album's upcoming October 27 release date.

:: Nick Maclean - piano :: Brownman Ali - trumpet :: Ben Duff - bass :: Jackson Haynes - drums (in for Jacob Wutzke)

Come witness these four in full flight, this tour features many nights of deeply exploratory, hard-swinging modern-jazz audiences nation-wide will not want to miss.

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WATCH Nick Maclean Quartet perform the Maclean original 'ROAD WARRIOR', a single from CONVERGENCE

WATCH Nick Maclean Quartet perform the Hancock classic 'DOLPHIN DANCE', a single from CONVERGENCE

WATCH Nick Maclean Quartet perform the Maclean original 'VERBOTEN', a single from CONVERGENCE

WATCH Nick Maclean Quartet perform the Brownman original 'WISDOM OF AURELIUS', a single from CONVERGENCE

For more info: www.NicholasMaclean.com www.Brownman.com www.Browntasauras.com

[mim70]

Ganja, Azerbaijan

[kodachrome-net]

Central Park Theatre, now a church. Open House Chicago, October 14, 2023.

[literallyaurl]

Something about displaying a big old QR code as part of your church service looks like it could maybe be a sin or perhaps a heresy

[randum-famdoms]

Took these pictures yesterday at like 12:30 or 1 after coming back from my uncle's house! (Had a ton of fun :D even got to play his guitar!) And after half a chicken nugget a small French fry and some lovins I think he has excepted me as a friend!!! (Before I left for my uncles we got home around 8 and had something to eat before leaving at 8:46 and coming home around 12:30)

Ps the guitar playing wasn't very good as I'm not a guitar player. But I think it went pretty well!...other then my fingers hurting ofcourse :)

Animals accepting you feels better than literally anything else. If I could choose between an animal accepting me and knowing the secrets of the universe, I would hands-down choose the animals every time.

I could never play a string instrument. Like, I suck at practicing things that I don’t enjoy and I don’t particularly enjoy forming callouses. I’ll stick to singing, thanks.

[i-love-love]

Side effect of watching three Mike Flanagan miniseries in a week a little while ago is I now have flanaverse dreams. The plot started and I went “isn’t this just a worse version of Midnight Mass?”

[suetravelblog]

Tbilisi Walking Tour & Georgia Independence Day

Narikala Fortress – Tour to Georgia Having time to move at your own pace is a big plus when traveling abroad. Long-term travel provides time for adjusting to new environments, without feeling pressed to see everything at once. I’ve been low-key for a few days getting my bearings, but am getting up to speed and expanding my Georgian horizons. Transportation Purchasing a Metromoney card seemed a…

[travsd]

Hosannas for Fool's Mass

As promised a few days ago, I traveled out to Park Slope to see the first performance of the 25th Anniversary season of Dzieci Theatre’s Fool’s Mass last night. This is the second of a projected three looks at the company and the production. The first was a simple informational notice that it was happening. The projected third one, which probably won’t emerge for a few months, will be an in-depth…

[benicebefunny]

My favorite Boomer trait* is (re)embracing childhood hobbies.

Gen Xers and Millennials get a lot of shit for adult kickball and dodgeball leagues.

But my former boss is on a recreational soccer team. (With a manicured field and a regulation ball--things he didn't have as a child.)

My dad went to Burning Man to ride his bike in the dirt and hand out friendship bracelets. (He started shining shoes when he was 10.)

You can find beginner ballet classes for seniors on YouTube. (You don't need to have rich parents and the right body.)

People are getting to be the kid they never were, and I think that's pretty cool.

*Besides mass participation in movements for social justice.

[armageddon-generation]

Empire of Death was bad and cemented several fundemental flaws in this season.

I watched this in the theatre, and the contrast between everyone's excitement before Empire, and their universal disappointment leaving the theatre was super disheartening. I'm gonna try to articulate my problems with episode, and how they're linked to fundenental structural issues of this season.

SPOILERS BELOW:

Sutekh

The moment the UNIT characters died the story was robbed of any stakes. (Also? Kate and Ibrahim?? During Pride month?? Disgusting)

Sutekh was pointless, big CGI spectacle who was barely there. Saying he's been latched onto the TARDIS since Pyramids of Mars was such an asspull. Why couldn't he have latched on during Wild Blue Yonder? wouldn't that make much more sense??

You're telling me the guy who holds all life in contempt is invested enough in learning the identity of Ruby's mum he willingly reveals himself??

And then they defeat him by dragging him through the Vortex just like before, which it's been explicitly stated *didn't work* last time? He just *lets* Ruby leash him??

The 'death of death is life' bit, and the idea of the Doctor representing life as a Ying to Sutekh's Yang, is a cool concept just jammed in there with no real buildup or depth.

The issue is bringing Sutekh back takes so much effort- a literal, clunky clipshow of Pyramids of Mars, a whole episode spent building up to the reveal of a silly anagram entirely unrekated to Sutekh's previous appearance. And it just... amounts to nothing. What a silly way to cap off a season meant to be jumping-on point for brand-new viewers.

Mel was just takingup space. Pointless.

Ruby's Mother

I don't have a problem with the *concept* of Ruby's mum being normal. I really like the idea thematically. The execution was terrible.

First of all it leaves so many unanswered questions (why the snow? Why was time changing? Why was she shadowed? Literally just for the sake of the mystery-box?) and represents the worst thing about this new era- RTD using fantasy logic to handwave any logic at all, and just do whatever he wants without properly justifying it.

Second, I *hate* how easy and simple and neat the reunion is. Ruby seems incapable of getting angry with anyone. She has never once argued with 15, or Carla, or anyone besides that one moment in 73 Yards. She has never expressed any kind of negative feeling towards her mother for abandoning her. And it's fine for her to reach that conclusion! It's just bizzare we never see Ruby struggle with her feelings beyond the shallow goal of wanting to find her.

(Also Carla? Has nothing to say?? Just welcomes that woman in with basically no comment? Carla is a 2D cutout of a person, used as a plot device and otherwise relegated to the single character trait of I Love My Daughter. The children yearn for the ilk of Jackie Tyler, Sylvia Noble, even Francine Jones.)

15 & Ruby

The emotion behind 15 & Ruby's split felt entirely unearned because we've never seen their bond develop. They never argue, never disagree, Ruby hasn't learned anything about herself or grown or changed. The closest we got to that is 73 Yards, which was undone. She was already brave and kind and musical and sure she loved her adoptive family when we met her in Church on Ruby Road.

Similarly, 15 tells us Ruby encouraged him to talk about family in a way he never has, but that was in what, two moments across the season? And they seemed random, unrelated to Ruby being with him. New viewers will assume 15 is just that open anyway- he was discussing fatherhood with a dead man's hologram- and old viewers assumed trauma-dumping was just a new trait of 15's personality, not Ruby-specific.

The problem is we're told Ruby & 15 are best friends but it isn't earned. I liked 15 crying initially but both he and Ruby do it so much (15 cries about 5 times in this one episode) it loses its impact and I'm becoming numb to it. There is no contrast, no downtime.

Season Structural Issues

I think the biggest problem is Season 1's storytelling priorities. It's much more interested in selling *the show* (look at our big budget! And guest stars! And how flexible our format is! Musical episode! The Beatles as props! Bottle episode! Indie folk-horror! Black Mirror! Gay Bridgerton!) it forgot to put effort into developing and investing us in its characters. I liked a lot of the individual stories this year but in retrospect a lot of them feel like they're wasting space that needed to go to essential character and theme setup.

These skewed priorities, combined with the cut down episode count, really impact the pacing of the season. Ruby and 15 were barely together! Even in Rogue they were seperated for most of the story!! We only loop back to a flashback of 15 meeting Carla in Rogue!

This is made worse by the baffling insistence on a 45-minute runtime. We know key sequences were cut from almost every episode, with highlights including:

The Gobin King invading Ruby's flat and her banishing him with scratchcards in The Church on Ruby Road: Her missing 'companion saves the day' moment!

Refrence to the Toymaker in The Church on Ruby Road, which was itself referenced in The Devil's Chord. 'I told you about the Toymaker when we first met' sir, objectively you did not.

The TARDIS jukebox playing the Sugarbabes' Push The Button in the opening scene of Space Babies, hastily cut around in the final edit. This is the setup of a running joke still in the episode, and part of the story's climax. The first encounter with the Bogeyman was also longer, with 15 taking particular interest in its skin

Extended scenes in Abbey Road from The Devil's Chord, including an apparently significant speaking role for Cilla Black, according to her annoyed actress.

Cut dialogue from The Devil's Chord explaining the musoical number was caused by Maestro's power lingering, and that banishing them undid everything they'd done. Fans inferred thos based on the rules established in The Giggle, but again, new fans haven't seen The Giggle and were left clueless.

An opening sequence for The Legend of Ruby Sunday where 15 & Ruby meet Susan as a nanny in 1947 America, a blue-skinned waitress, and an astronaut meeting a colony of giant, sentient ants. At the end of this we actually see 15 decide to go to UNIT for help. In the broadcast version he just sorta shows up.

Really what Empire of Death exposed to me is how emotionally hollow the season was. I enjoy the exoperimentalism, but not at the cost of character. And then in the finale Russell reverts to almost a parody of his RTD1 finales, with the nonsense logic and lack of consequences. All the worst bits of Last of the Time Lords and The Giggle put in a blender.

[mim70]

Ganja, Azerbaijan

[kodachrome-net]

Central Park Theatre, now a church. Open House Chicago, October 14, 2023.

[vintagetvstars]

Claude Rains Vs. William Hopper

Propaganda

Claude Rains - (Alfred Hitchcock Presents, Wagon Train, Rawhide) - "The reason I got into Old Hollywood and started studying theatre and film! He's such a little cutie as well as a smoking hot, velvet voiced morsel of evil - he's that good and can play both so easily!..." text propaganda continued below the cut.

William Hopper - (Perry Mason) - "Why do I love him? The list abounds..." text propaganda continued below the cut.

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Claude Rains:

While he might be more famous for his movie roles(like Casablanca, The Invisible Man, Lawrence of Arabia, Now, Voyager, and Mr. Skeffington to name a few!), he was also a television star in his own right! He had lots of guest spots on various shows but in the tv-realm, he's probably the most well known for his work for "Alfred Hitchcock Presents" and was a frequent collaborator with Hitch himself, having the spotlight for five episodes! My favorite tv performance of his was playing Father Amion in the episode "The Horseplayer", where he plays the kindest priest who gets taken for a ride and it's so heartbreaking to see him in tears where he confesses that it's his fault the church's funds were used for less than better means (but it all works out in the end!). It's such an honest performance and it's a refreshing change from all his evil villians (but we love them anyway!) he'd done in the past. Another favorite performance of mine is his performance as Leonard Eldridge in the episode "The Door Without a Key", a seemingly amnesiac old man who makes a bond with a lost boy in a police station. They're adorable together and I found myself tearing up a little when they both confess how lonely they are in the world.

William Hopper -

William Hopper was a tall guy (6'3"!) but such a gentle sweetheart. He was in acting for the majority of his life (barring serving as a frogman in WWII and working as a car salesman post-war for a few years), but he really stepped into his own with his role as Private Detective Paul Drake in the Perry Mason TV Series from 1957-1966. William Hopper actually didn't really love the Hollywood scene, mostly because he grew up with it since he was a child. His mother was Hedda Hopper and she really wanted him to be an actor and became quite overbearing about it, but he was more of an introverted soul. He first started out in films in his early 20s, but William Hopper always felt like people were giving him jobs because of his mother's influence with her gossip column. HOWEVER, after the war and after William Hopper sold cars for a few years, he came back to acting but he said he was only going to come back if 1) he did it his way/gave himself to it and 2) his mother stayed out of his career so he could make it on his own. Those two things happened, and William Hopper made his own way.

His big major starring role in a television series was, without a doubt, Perry Mason. He was Private Detective Paul Drake. To take on that role, William Hopper personally went out and made friends with Private Detectives to try to bring their experiences to his role. William Hopper also was credited by Alan Alda for showing the acting world how to shine as an actor without demanding the spotlight all the time. Alda said: “William Hopper’s ability to be present in a scene without demanding the spotlight is an art form in itself. He showed us that one can shine without the blinding glare.” Which, I think, really was a big testament to William Hopper playing a private detective--- he was always commanding the series and making the moves and observations that led to finding the guilty person in a criminal case, but he was always doing so in a way that was true to the work of a private detective: hiding and working in plain sight.

Other fun facts about William Hopper that make him so lovable: he LOVED the beach and loved fishing and swimming. When he wasn't filming for Perry Mason (they would film 6 days a week for 1 episode during filming), William Hopper would go to the beach. According to an interview, William Hopper's personal wardrobe was mostly casual clothes: swim trunks, sandals, and sweatshirts. He took all his formal wear to the Perry Mason set and just kept it there to wear when he played Paul Drake. He said if he ever had to go to a formal occasion, he would just go drive to the Perry Mason set and pick out one of his outfits. But the formal wear he had was bold! He wore houndstooth jackets, various checked patterns, and herringbone. If he wasn't at the beach, he loved to go to baseball games. In school, he played sports: swimming, baseball, boxing, and basketball.

he's the guy on the far left - I know his face is hard to see here but I'm going for the Hot Vintage Man bare shoulders vibe:

I spoke before about how William Hopper made a lasting impact as an actor portraying Paul Drake and shining without demanding the spotlight, but he also made a lasting contribution to Paul Drake's character. Paul Drake was a character based on Erle Stanley Gardner's books, which were published between 1933-1973. When William Hopper got the role as Paul Drake in the Perry Mason TV show from 1957-1966, Gardner was still writing the books. When asked about playing Paul Drake, William Hopper said: "If they thought they were getting Paul Drake, they were mistaken. Because what they got was me, nobody else. I play him my way. Now I'm amused to read Gardner's new books. Paul Drake comes out like me."

He made such a lasting impression on Paul’s character on TV that even the author of the books started writing Paul like William Hopper's interpretation!

There's also an anecdote from the wardrobe supervisor on the set of Perry Mason who said William Hopper was a very kind man, a good guy, and a good actor. William Hopper's cast mate, Raymond Burr, once said that "William Hopper was even more precise, more good looking, more fun" in real life than what we, the viewers, got to see him on screen.

To add some more to Raymond Burr's point that William Hopper was "fun", he liked to play practical jokes with his castmates on Perry Mason. In an interview, William Hopper said "You might say there's never a serious moment except on camera." He and all his castmates on the set loved to play jokes with each other to make each other laugh. So he was just a fun guy to be around, apparently!

Also, in the final season of Perry Mason, William Hopper cut a tendon on his foot while filming and he wound up in a cast. They had to rewrite the final episodes so that William Hopper didn't have to do a lot of running around like he usually does. Well, in all those final episodes, you wouldn't even tell that William Hopper was in a cast and having to move around in crutches. And I realize that yeah, they rewrote the scripts to help, but William Hopper doesn't waiver once and doesn't let on about his injury. Plus, according to an interview, the cast attached a little horn to William Hopper's crutches and William Hopper would honk the horn when he was coming to let his cast mates know he was there. Which I just kind of think is sweet.

idk I feel like his hands are pretty beautiful here:

Also, I talked before about William Hopper struggling a bit in finding his own way in acting. It wasn't really until he got into TV shows and with Perry Mason that he felt like he found his place and enjoying acting. Before, William talked about being nervous in front of the camera, but it was working on a LIVE TV show with Claire Trevor when he said, "I was so scared I canceled. I swore I'd never act again as long as I lived. Then I thought, what the heck, they can't shoot me, and walked on the set. Something happened then. It was as if someone had surgically removed the nerves."

And when he talks about his role as Paul Drake, he said, "I'm very fond of him, and as long as Perry Mason is around on television defending various and sundry clients, Paul and I will be very happy to be around helping him."

So he really came into his own as Paul Drake, which I really love about William Hopper. To know he found his way and made something he felt proud of.

Also in terms of William Hopper being physically attractive, I mean, he was so incredible. He once said he was just a guy with premature grey hair and a non throbbing actor, but I personally think he's a heart throb. He had the most loveable smile, broad shoulders, a deep, sultry voice, amazing chest hair (lol), and like.. really absurdly beautiful hands?!? He was also really tall and strong but also by every account he was really gentle and sweet. Larger than life. Sometimes in the Perry Mason shows, William Hopper would swim and he has an incredible swim scene that rivals Mr. Darcy. He's in swim trunks and wins a swim race and comes dripping out of the pool to make anyone swoon. I just love him!

[youryurigoddess]

A nightingale sang in the London Blitz

When exactly was that certain night, the night Aziraphale and Crowley met — and spoke for the first time in 79 years in the midst of the London Blitz?

And what’s the deal with the nightingale’s song, really?

Grab something to drink and we’ll look for some Clues below.

The night they met

The Blitz, short for Blitzkrieg (literally: flash war) was a German aerial bombing campaign on British cities in the WW2, spanning between 7 September 1940 and 10 May 1941. The Luftwaffe attacks were carried out almost non stop, with great intensity meant to force a capitulation and similarly strong impact on British life and culture at the time.

Starting on 7 September 1940, London as the capital city was bombed for nearly 60 consecutive nights. More than one million London houses were destroyed or damaged, and more than 20,000 civilians were killed, half of the total victims of this campaign.

The night of 29 December 1940 saw the most ferocity, becoming what is now known as the Second Great Fire of London. The opening shot of the S2 1941 minisode is a direct reference to recordings of that event, with the miraculously saved St Paul’s Cathedral in the upper left corner.

The actual raid lasted between 06:15 and 09:45 PM, but its aftermath continued for days. The old and dense architecture of this particular part of the city turned into a flaming inferno larger than the Great Fire of 1666. Multiple buildings, including churches, were destroyed in just one night by over 100,000 bombs.

Incendiary bombs fell also on St Dunstan-in-the-East church that night, the real-life location of this scene as intended by Neil. It was gutted and again claimed by fire in one of the last air rides on 10 May, when the bomb destroyed the nave and roof and blew out the stained glass windows. The ruins survived to this day as a memorial park to the Blitz.

Such a delightfully Crowley thing to do: saving a bag of books with a demonic miracle adding to the biggest catastrophe for the publishing and book trade in years. 5 million volumes were lost, multiple bookshops and publishing houses destroyed in the December 29th raid alone.

Even without this context, judging by the seemingly unending night, overwhelming cold and darkness, broken heating at the theatre, and seasonal clothing (like Aziraphale and Crowley’s extremely nice winter coats), it’s rather clear that it was the very beginning of the year 1941.

Everything suggests that Aziraphale and Crowley’s Blitz reunion happened exactly 1900 years after their meeting in Rome — which, according to the script book, took place between 1 and 24 January 41 (Crowley was right: emperor Caligula was a mad tyrant and didn't need any additional tempting; there's a reason why he was murdered by his closest advisors, including members of his Praetorian Guard, on 24 January 41).

Interestingly, both events involved a role reversal in their otherwise stable dynamic, with Aziraphale spontaneously taking the lead instead of letting the demon be the one to do all the tempting and saving, and ended with a toast.

The S2 Easter Egg with the nuns of the Chattering Order of St Beryl playing table tennis at the theatre suggests that the Blitz meeting happened on a Tuesday afternoon, which doesn’t match any of the above mentioned days, but sets the in-universe date for 7 January 1941 or later.

The Chattering Order of Saint Beryl is under a vow to emulate Saint Beryl at all times, except on Tuesday afternoons, for half an hour, when the nuns are permitted to shut up, and, if they wish, to play table tennis.

The nightingale

January means one thing: absolutely no migratory birds in Europe yet. They’re blissfully wintering in the warm sun of Northern Africa at the time. But, ironically, when the real nightingales flew off, a certain song about them suddenly gained popularity in the West End of London.

It might be a shock, but A Nightingale Sang in Berkeley Square wasn’t a hit from the start — even though its creators, Eric Maschwitz and Manning Sherwin, were certainly established in their work at this point. The song was written in the then-small French fishing village of Le Lavandou shortly before the outbreak of the Second World War with first performance in the summer of 1939 in a local bar, where the melody was played on piano by the composer Manning Sherwin with the help of the resident saxophonist. Maschwitz sang his lyrics while holding a glass of wine, but nobody seemed impressed. It took time and a small miracle to change that.

Next year, the 23-year-old actress Judy Campbell had planned to perform a monologue of Dorothy Parker’s in the upcoming Eric Maschwitz revue „New Faces”. But somehow the script had been mislaid and, much to her horror, replaced with the song A Nightingale Sang in Berkeley Square. She had never professed to be a singer but even so, she gathered her courage and went out onto the moonlit set dressed in a white ball gown. Her heartfelt rendition of the now evocative ballad captured the audience’s imagination and catapulted her West End career to stardom.

It was precisely 11 April 1940 at the Comedy Theatre in Panton Street and the revue itself proved to be a great success — not only it kept playing two performances nightly through the Blitz, but also returned the next year. And the still operating Comedy Theatre is mere five minutes on foot from the Windmill Theatre, where Aziraphale performed in 1941, and not much longer from his bookshop.

Now, most Good Omens meta analyses focus on Vera Lynn’s version of the song from 5 June 1940, but it didn’t get much attention until autumn, specifically 15 November, when Glenn Miller and his orchestra published another recording. And Glenn Miller himself is a huge point of reference in Good Omens 2.

According to the official commentary the infamous credits scene is establishing Aziraphale and Crowley’s final resolve for the next season using the same narrative device The Glenn Miller Story (1954) does in its most crucial scene. It starts with the tune (and audio in general) totally flat, then adds a piano on one side, and gradually becomes fully multidimensional. The Good Omens credits not only emulate the same sound effect, but bring it to the visual side of the narrative by literally combining the individual perspectives of the two characters together. Even though they’re physically apart, their resolve — and love to each other — brings them even closer than before. Aziraphale smiles not because he’s being brainwashed, but because he knows exactly what to do next.

Some of you might have noticed that Tori Amos’s performance for Good Omens is actually a slightly shortened version of Miller’s recording — much less sorrowful than Vera Lynn’s full lyrics that include i.a. this bridge:

The dawn came stealing up

All gold and blue

To interrupt our rendez-vous

I still remember how you smiled and said

Was that a dream or was it true?

Which is a huge hint when it comes to what we can expect from the main romantic plot line in the Good Omens series. The original song introduces an element of the doubt — it seems like there was no nightingale at all, only the mirage woven by the singer clearly intoxicated with love, much like Aziraphale and Crowley for the length of the last six episodes. Crowley’s comment in the season finale might allude to that interpretation, stating that there are no nightingales — never have been. It was all a dream. But the version we’re working with here is short and sweet, and devoid of that doubt. In the Good Omens universe angels were actually dining at the Ritz, the streets were truly paved with stars (or will be shown as such in the next season), and a nightingale really sang in Berkeley Square, as the omniscient, omnipresent, and omnipotent narrator, God Herself, had shown us.

All in all, it’s not an accident that the “modern” swing ballad activating Aziraphale’s memory and opening the 1941 minisode is the Moonlight Serenade by Glenn Miller. It’s a track naturally associated with A Nightingale Sang in Berkeley Square when it comes to music style and the sentiment in the lyrics.

But why the sudden popularity? In the great uncertainty and hardship of the Blitz, A Nightingale Sang in Berkeley Square provided solace and escapism for listeners, offering a glimpse of hope and love amidst the darkness of war. It became a universal anthem of resilience and a reminder of the power of love transcending difficulties. By January 1941 the whole city knew this tune by heart, including a certain West End aficionado with a cabinet full of theatre programs in his bookshop. Thanks to Maggie’s grandmother, he most probably had a record at hand to play during his spontaneous wine night with Crowley. We can only suspect the details, but it was was mutually established as their song exactly at that time or soon afterwards. Pretty sure we will see a third installment of that minisode for many, many reasons, but especially because of this “several days in 1941” answer by Neil:

The Man Hunt

In 1941 A Nightingale Sang in Berkeley Square gained even more popularity as the romantic theme of the Fritz Lang’s newest film Man Hunt. The 1939 story by Geoffrey Household first appeared under the title “Rogue Male” as a serial in the Atlantic Monthly Magazine where it received widespread comment, soon becoming a world-wide phenomenon in novel form. Its premise criticizes Britain's pre-war policy of appeasement with Germany, ready to sacrifice its own innocent citizens to the tentative status quo. Sounds a bit like Heaven's politics, right?

Yes, I'm trying to make you watch old movies again — like all the other classics, Man Hunt (1941) is easily available on YouTube and other streaming websites.

The next part will include spoilers, so scroll down to the next picture if you prefer to avoid them.

The plot of the movie seems simple enough: the tall, dark, and handsome Alan Thorndike, who nearly assassinates Hitler, narrowly escapes Germany and back in London continues to evade the Nazi agents sent after him with the help of a young trench-clad “seamstress” named Jerry, bridging the class divide and becoming unlikely friends-partners-romantic interests. It doesn’t end well though.

Jerry's small London apartment serves as a hideout for Alan when he was being followed by Nazis, similarly to how Aziraphale's bookshop is a safe haven for both Crowley and Gabriel in S2. She helps the man navigate the streets and eventually out of London — by sacrificing herself and getting forcefully separated from him by a patrolling policeman. The last time they see each other, Alan watches Jerry look back at him yearningly and disappear in the fog, followed by the elderly officer.

Unfortunately in the next scene we learn that the latter is a Nazi collaborator and helps the agents apprehend Jerry in her own flat. Staying loyal to her love and uncooperative, she’s ultimately thrown out of a window to her death, but posthumously saves Alan once again — through the arrow-shaped hatpin he gifted her earlier that is presented to him as the evidence of her off-screen fate.

Long story short, thanks to Jerry’s sacrifice Alan not only survives, but is able to join the war that broke out in the meantime and go back to Germany, armed with a rifle and a final resolve to end what he started, no matter how long will it take. The justice will be served and the dictator will pay with his life for his sins.

I wouldn’t be myself without mentioning that the main villain has a Roman chariot statue similar to the one in Aziraphale’s bookshop, an antique sculpture of St Sebastian (well-known as the gayest Catholic Saint) foreshadowing his demise, and a chess set symbolizing the titular manhunt/game of tag with the protagonist.

Aziraphale’s song

Will Aziraphale sacrifice himself as well? Or has he already? If his coin magic trick can be any indicator, we should expect at least a shadow of a danger touching the angel’s wings soon.

Let’s sum up the 1941 events from Aziraphale’s perspective: the very first time they’ve interacted after almost a century, Crowley actively sabotaged his entire existence twice by stepping onto a holy ground and by being outed by agents of Hell, both on the very same night and both because of his undying dedication to the angel. That’s enough of a reason not only for performing an apology dance, but also maintaining a careful distance for Crowley’s sake for the next 26 years. Only when he heard that his idiot was planning to rob a church, he gave up since he “can't have him risking his life”.

That’s when Crowley, sitting in a car parked right under his bookshop, offered him a ride. It wasn’t even subtle anymore. It was supposed to be a date, this time both of them understood it. But Aziraphale wouldn’t risk Crowley’s safety for his own happiness, especially not when he can name his feelings towards him and knows that they are reciprocated — the biggest lesson he learnt back in 1941.

So he did what he’s best at, he cut Crowley off again, but this time with a promise of catching up to his speed at some point. Buddy Holly’s Everyday, which was originally planned to play afterwards instead of the Good Omens theme, adds additional context here:

No, thank you. Oh, don’t look so disappointed. Perhaps one day we could... I don't know… Go for a picnic. Dine at the Ritz.

Aziraphale, carefully looking around and feeling observed through the whole conversation in the Bentley, consciously used the “Dine at the Ritz” line from A Nightingale Sang in Berkeley Square, from their song, as a code only the two of them understand. Not as a suggestion to go out for a meal, but a promise. A hope for the privilege of being openly in love and together — maybe someday, not now, when it’s too dangerous — even if it leads to a bad ending.

Fast forward to 2023 when for one dreadful moment Crowley’s “No nightingales” robbed Aziraphale even of that semblance of hope. He looked away, unable to stop his tears anymore. Only their kiss helped him pull himself together and make sure that a nightingale did sing the last time he turned ��� just like in their song — this time without a smile, as a goodbye.

[brf-rumortrackinganon]

I discovered my best friend is following ARO on Instagram. When I confronted her over this horrific betrayal, she said, “I think I like her now!” My devastation knows no bounds.

I was discussing this with my boss, a fellow royal watcher, and we decided I need to make a PowerPoint presentation, complete with citations (we are lawyers, after all), “shining a light” on MM’s numerous atrocities and proven lies over the years. I thought you would be invaluable in such a venture. Any suggestions to include would be very much appreciated!

Old ask from March 18th

Ok, so I didn't mean to sit on this one for (checks calendar) 6 MONTHS. ohhh, that's worse than I thought. Sorry, anon. Your ask got completely buried.

Anyway. I actually have been keeping a list of Meghan's lies and falsities. I don't remember when I compiled it (I feel like it might've been a 2022 thing) and I forgot I had it for a very long time. We'll probably need to crowd-source some updates to this list.

So buckle up, y'all.

Grew up an only child

Never had relationships with Sam or Tom

Grew up poor eating Sizzler buffets for splurge dinners

Didn't know who Diana was

Didn't know that Diana did Panorama interview

Lied about having a SAG card to be cast in Suits

That she was being written off Suits because she was marrying Harry

Doesn't have any family except Doria

Paid for college herself with student loans

International relations and theatre degrees from Northwestern

Merch tour of Aussie with Jess

Didn't want to serve Archie on a silver platter

Couldn't do a photo call at the hospital after Archie's birth

Wasn't in contact with Oprah

Wasn't working with UK Vogue

Lilac blazers

Couldn't wear the same color as anyone else

Could only wear neutral clothes

Wasn't dressing her child like a Victorian ghost doll

Going to get her UK citizenship

Gave up her Hollywood team

Spectacle wedding for the public

Eloped three days before with the Archbishop of Canterbury

Loves her engagement ring

Received permission from Queen to name her Lilibet

Loves Africa

Loves charity work and philanthropy

Red carpet for wedding

No tabloids in the US

All Americans have a 5am work ethic

Paparazzi chases

Plagiarism

Korean spas as a kid

Collaboration with Scobie on FF

People letter

Archewell donations and income

Family she never had

Gave up everything

IVF twins

Pregnancy announcement not at Eugenie's wedding

Loves kids

Dog too old to fly

Dog hit by car

Couldn't decorate with royal collection

Kate made Meghan cry

Warm friendly relationship with Queen

Best boss ever

She made her own banana bread

Suicidal thoughts night of Cirque du Soleil

Advised by Obamas

Children refused titles because of racism

She refuses children's titles

Pen pals with Hillary Clinton

Witnessed the LA riots

Independent grassroots journalism

Hit the ground running

5'5

worked at the embassy when she only attended a study program

Didn't know she had to curtsy to the Queen

Didn't know how to curtsy

BRF took her passport, car keys

Not allowed to go out unless just for work

Climate change/private jets

Evicted from Frogmore

Royal Family refused to help Meghan with her mental health

That Meghan was silenced

Privacy in LA

Archie was denied 24/7 protection because he wasn't a prince

Family gossip about Archie's skin color

Palace forced Meghan to take her name off Archie's birth certificate

Egg in wedding food

Not allowed to have scents in church

Meghan said the palace was locking up the birth certificate

Angela refused hair trials

Bond girl

Fire in Archie's nursery

Linked, not ranked

Archie too young to fly (summer after his birth)

Lied about her age (to work in Hollywood, narrative since corrected since marrying in)

Belly padding

Bot farms on social media

Miscarriage

Zoom calls with Cambridges during lockdown

Zoom calls with the Queen during lockdown

Flowers on Philip's casket at funeral were from Sussexes

Sussexes were invited to the Beckham wedding

Royal christening for Lili

Lili baptized

Invited to the diplomatic reception before The Queen's funeral

BFF/dog-walking buddies with Jennifer Aniston

Photoshops the children's appearances

Jimmy Fallon interview in Dec 2022

Time 100th Anniversary coverage

Bodyguard 2

she’d have 40 photographers taking pictures when she did Archie’s school run.

Sussexes declined invitation to Westminster wedding

She made the strawberry jam herself

50 jars of jam

"The Bench" was a bestseller

Visiting/staying with Oprah (Oprah was across the country at her father's bedside)

All the times she said she'd be a secret presenter at Hollywood award shows

Uvalde

Can't tailor her clothes to fit because they're from small brands/labels.

[ludmilachaibemachado]

July 28th 1968 - 'Mad Day Out' photoshoot. (Location 2 - Mercury Theatre)🍂🇬🇧🌴

The second location was at London's Mercury Theatre in Notting Hill. It was originally a church hall (1848). The Beatles parked outside Horbury Chapel (now Kensington Temple Church)🌸🇬🇧🥀

Don McCullin (photographer): "Someone brought a parrot. films in the as terras." and had to try hard to recharge the There was an old piano there, and they started fooling around on it🪷🎸🌼

Beatles and Cavern Club Photos🍀